‘Everything is Beautiful’—Ray Stevens


It’s hard to imagine a million-selling 1970 song opening with the voices of a second-grade class singing

Jesus loves the little children, all the little children of the world

Red and yellow, black and white, they are precious in His sight

Jesus loves the little children of the world

But that’s precisely what happened with a man who had gained renown during the 1960s for recording clever novelty ditties.


Ray Stevens began life as Harold Ray Ragsdale in 1939 in Clarkdale, Georgia. During his childhood, he was influenced by music from the family radio and from 45s blasting from the jukebox at the local swimming pool. That’s where Stevens and his pals spent their summers. From the time he began taking piano lessons at age 7, he knew that he would follow music as his career path. Nothing else interested him.

After graduation from high school, Stevens enrolled at Georgia State University, where he studied classical piano and music theory. But he dropped out during his junior year after being offered a contract with Mercury Records as a pianist arranger and a recording artist. He had quite a fine voice.

What followed was a series of catchy novelty and radio-friendly original singles such as “Ahab the Arab,” “Harry the Hairy Ape” and “Guitarzan.” 

Nothing Stevens had recorded, though, had ever reached the top of the Billboard Hot 100. That was about to change with the new decade.

In 1970, pop singer Andy Williams launched the Barnaby record label, and Stevens became its first artist after he had won praise singing on Williams’ NBC-TV variety telecast. The Georgian also was offered “The Ray Stevens Show” as a summer replacement broadcast. 

“I needed a very special tune for the program,” Stevens recalled on mybestyears.com. “I went down in my basement for about three days. I had crumpled paper all over the place. And suddenly the idea for the song came to me. I wrote it in maybe 45 minutes. It was a very special song and one that a lot of people still remember and sing along with when I do it in shows.”

He recruited his two daughters and the second-grade class at Nashville’s Oak Hill Elementary School to introduce his creation, which segued into Stevens’ uplifting melody that included such significant lyrics as

We shouldn’t care about the length of his hair 

Or the color of his skin

Don’t worry about what shows from without

But the love that lives within

Dismissed by some naysayers as cornball pap, “Everything is Beautiful” nonetheless reached the peak of the Billboard chart and earned Stevens a Male Vocalist of the Year Grammy Award. For years, it was his signature song.

In 1974, lightning struck a second time for Stevens when he read about streaking, a college-campus fad in which students would strip naked and run past slack-jawed onlookers. He was thus inspired to create his second Barnaby Records winner, “The Streak.” It was a novelty that streaked to the pinnacle of the Billboard hit list.